Bill Baily


“Sea Star” by Paul Brent. Original oil on linen.

Table top display features one-of-a-kind accessories: mouth blown glass, driftwood garland, vintage glass and handmade glass spheres.

 

Table displays feature the art  and artists that, truly, offer endless inspirations for idyllic times at the beach.

More than 200 artists from across the Pacific Northwest are featured in the Faiweather House and Gallery, a business that has been an anchor for Seaside’s growing arts scene for more than 12 years. A variety of mediums include original paintings, sculptures, ceramics and jewelry.

New pieces and artists are added each month, making the Fairweather House and Gallery a must-visit destination in Seaside, Oregon for art connoisseurs.

 

Art by Jan Shield,  glass by Sandy and Bob Lercari,  coral platter by Rinee Merritt, handmade box by Christine Trexel and origami garland by Peggy Evans.
Fairweather House and Gallery is a place to see finished creations of bowls, platters and sculpture, as well as contemporary paintings.

Jewelry by Cher Flick, Mary Hurst and Alan Stockam.  Myrtle wood by Fred and Janice Lukens.  Ocean scape painting by Ron Nicolaides. Gull portrait by Leah Brown.  Nantucket basket by Carol Bolster.  Sea anemone study by Jon Anni. Sail boat water colors by Paul Brent.

 

With appreciation to Linda Fenton-Mendenhall,  photographer.

 

To learn more about the gallery, please go to www.fairweatherhouseandgallery.com

“Sense of Place” Fairweather’s June exhibition opened on June 2 with LIVE music featuring  western songs by guitarist Ron Burghard, luscious treats (featured watercolor art by Bill Baily), sunny weather, hostesses dressed in denim and art loving patrons.

 

 

 

Minutes before the “Sense of Place” opening, finishing touches completed for Fairweather’s front display by Kathy B., director of hospitality. Featured art:  “Dune Grass” plein air painting by Bev Drew Kindley, “Ocean” original oil on board by Melissa Jander, “Beach Finds” watercolor/ mixed media by Rosemary Klein,  raku pottery by Emily Miller, “Waves” original oil on linen by Ron Nicolaides, jewelry by Mary Boitta and calligraphy by Penelope Culberson.

Melissa Jander

“Sense of Place” oil painting artist

 

 

Christine Trexel

“Sense of Place”  paper craft artist

 

Watercolor on yupo artist Carolyn Macpherson

Seaside Painting LIVE ™ demonstration

Barbara Martin

“Sense of Place” mixed media artist


Jan Rimerman

“Sense of Place” mixed media artist

 

 

Before the Fairweather show opening, talented and inventive regional artists arrived to pose together at the opening reception for “Sense of Place”.  Left to right: Barbara Martin, curator Denise Fairweather, Amy Osborne, Carolyn Macpherson, Jan Rimerman, Christine Trexel and Melissa Jander.

 

 

 

 

 

“Sense of Place” through June 30

Fairweather House and Gallery

www.fairweatherhouseandgallery.com

 

With appreciation to Art Walk photographer Linda Fenton-Mendenhall.

 

Grace note received from artist Bev Drew Kindley:

“Thanks for choosing some of my paintings for the Sense Of Place show!”   

 

TO PARE:  The theme for May 2018 for the Fairweather Gallery

 

“When I first reviewed the Fairweather Gallery’s list of themes for 2018, I was intrigued.  So many interesting choices.  As a lover of words and all that they imply, I was attracted to the theme “pare”, “pear” or “pair.  How unusual!  What to choose?  I selected “pare.”

“Pare” usually means “to cut back”, to “slice away”, to “remove”, and even “to simplify.”  When I thought of the “to simplify”, I was hooked.  Little did I know that I nearly shot myself in the foot!

As an artist, “to simplify” means to remove all that is not absolutely necessary to say what I want to say.  The challenge is how few lines, how few colors, how few marks on my paper convey my meaning.  I thought of the cave paintings from 30,000- 40,000 years ago in France and Spain.  How simple and how elegant.

 

 https://www.smithsonianmag.com/…/journey-oldest-cave-paintings-world

Later, Picasso who was also intrigued by simplifying, drew a series of bulls.  The merest line conveyed the strength, the majesty of this noble animal.

 

www.dailyartmagazine.com/pablo-picassos-bulls-road-simplicity

 

So, “to pare” is good for one’s art.  No more worrying about what is pretty, what will sell, just get to the point!  If one line can convey your message, use it.  Do not be too wordy or explain too much! 

 

 

Too much thinking about “to pare”; going back to the homonyms?  Pear, pair, pare, or au pair?  That opens up a world. 

 

There is a painting here by Marga that is an eye-stopper and it is about “pears”.  What a hoot!

“Pears Illustrated, Swimsuit edition” by Marga Stanley

 And the many others which the artists translated “to pare”, “to pair”, or quite simply “pears”.

 

 

I must admit that I gave into to all in my artwork.  This was a challenging theme that made me think.  I will move toward more line work in my efforts to come to the point, and I shall work “to pare”. 

 

 

Jo Pomeroy-Crockett and her art.

And, as I always discover when stretching, thinking is hard work.”  —Jo Pomeroy-Crockett, PhD., writer, educator and artist.

 

For more info about the artist, please visit http://www.fairweatherhouseandgallery.com/ …artists/ …Jo Pomeroy-Crockett.

 

 

Fairweather House and Gallery

612 Broadway

Seaside, Oregon

Through May 31

Perfect Pear, Pair,  Pare Exhibition

Regional artists were selected due to their art related to scale and perspective, and the way things correlate and interact.

Featuring artists Lisa Wiser, Patti Isaacs, Jo Pomeroy-Crockett, Blue Bond, Marga Stanley, Bill Baily, and Lynda Campbell.

 

 

 

Q: Why do artists often study painting pears, you ask?

A: Indeed, every artist has spent hours staring at pears, later to paint pears to learn the study of light, shading and perspective.

 

Cézanne once proclaimed, “With a pear I want to astonish Paris,” and he succeeded, even in his most deceptively simple still life paintings, to dazzle and delight.

L.1988.62.32

Turning to the pears grown in the vicinity of the family’s estate, Cézanne dispensed with traditional one-point perspective and examined the fruit, plates, and table from various viewpoints—straight on, above, and sideways.

 

Display featuring pear art by Bill Baily, abstract paintings by Kimberly Reed and abstract art by Diane Copenhaver.

The exhibitions(s) “To Pare Perfect”, aka “Perfect Pear”,  and, too, aka “Perfect Pair” through May 31 at Fairweather House and Gallery.

 

Pears by Bill Baily.

Original watercolor.

 

Bill Baily has been painting for 56 years. He has studied under many well-known Northwest artists.

He has had 13 one man shows as well as being in many group shows. His work has been included in the annual Northwest Watercolor Society Show in Seattle, the Artists of Oregon Exhibit at the Portland Art Museum, the Western Federation of Watercolor Societies annual show and many of the Watercolor Society of Oregon biannual exhibits.

His work are included in the permanent collections of Sunriver Lodge and Condominiums, Georgia Pacific, Wells Fargo Bank, the Lloyd Corporation, Good Samaritan Hospital, Nabisco, Boise Cascade, Bank of America, Freightliner, The Rental Gallery at the Portland Art Museum and the Allison Inn.

His subject matter is usually impressions of landscapes, seascapes, fruit and vegetable compositions and abstracts.

 

 

Fairweather House and Gallery

612 Broadway

Seaside, Oregon

Through May 31

Perfect Pear, Pair,  Pare Exhibition

Regional artists were selected due to their art related to scale and perspective, and the way things correlate and interact.

Featuring artists Lisa Wiser, Patti Isaacs, Jo Pomeroy-Crockett, Blue Bond, Marga Stanley, Bill Baily, and Lynda Campbell.