Diane Copenhaver



 Abstract watercolors by Donna Sanson, Oregon  myrtlewood cribbage board, segmented vase and nautilus sculptures by Mike Brown.

Crafted by NW hands.

Folded book art by Mary Boitta, en caustic art (aptly titled “Remembering Autumn”) by Peg Wells, origami by Peggy Evans, leather work by Luans Leathers, en caustic crows by Kathryn Delany and hand painted tiles by Sandy Applegate.

Abstracts by Diane Copenhaver and glass art by Bob Heath.

 


Handmade curly willow, mouth blown glass,  hand-made book and box by Christine Trexel.

Coral glass by Rinee Merritt, glass platters by Sandy and Bob Lecari and plein air oil by Lisa Wiser.

 

En caustic  art, ocean debris baskets, sea urchin bowls, moon platter by Emily Miller, mixed media stone art by Peggy Stein, abstract drip by Kimberly Reed and oil paintings by Sharon Kathleen Johnson.

 


Abstract miniatures by Tanya Gardner.

 

Calligraphy by Penelope Culbertson, watercolor by Bill Baily and pottery by Suzy Holland.

 

Abstract oil by Carmela Newstead.

 

 

Abstracts by Zifen Qian, maple bowls by Daniel Harris, watercolor by Paul Brent, landscape by Bill Baily and seascape  by Victoria Brooks.

 

 

For Shape and Color.

Art masks by Jorjett Strumme.

Paintings with pressed flowers on metal by Mike Mason. Anny Sears, model, with pressed foliages by Mike Mason.

 

 

Pastel landscape by Carmela Newstead, vintage jewelry necklace by Reneé Hafeman and en caustic blue abstract by Kimberly Kent.

Sunset oil paintings  by Nicholas Oberling, photograph by Neal Maine, pastels by Lynda Campbell and seascapes by Ron Nicolaides.

 

Mixed media diptych by Gary Pearlman, raw edged walnut bowl by Mike Brown and paper box sculpture by Christine Trexel.

Miniature oils by Barbara Rosbe Felisky.

 

Photos by Linda Fenton-Mendenhall.

“Color and Shape” exhibition through September 30th.

The show covers every aspect of art, textures, materials and finishes, highlighting the quintessentially colorful fall season.

Grace note to the artists…

 

“Shape and Color, Fairweather’s September exhibition, would not be such a success without the beautiful work created by NW hands.  The selected artists provided new work to highlight the annual fall show.  We thank them all for the extraordinary opportunity to tell a seasonal story with their art.  Truly, the artists offered new exceptional work, and by doing so, they encourage those of us in the arts, to do more.”  Fairweather Gallery

Abstract series of three by Jan Rimmerman, seascape oil by Karen E. Lewis and pottery by Suzy Holland.  Shape and Color gallery hostesses Katie, Kemy Kay, Joan, Bonnie and Denise.

 

And, too, a grace note received from a gallery hostess to share.

“Thank you for the beautiful crystal I picked out for a gift.  Most, of all, thanks for bringing the utmost beauty to many, many people.  Most of all, thanks for inviting me to work in your stunning establishment.  It delights my eyes every time I come in.  Your artists are beyond comparison.” Kemy Kay

A grace note received from an artist.

 

“Don’t ask yourself what the world needs.  Ask yourself  what makes you come alive and then do that.  Because what the world needs is people who have come alive.” –Howard Thurman, educator and theologian.
“Thank you for your encouragement and support in showing and growing my art.  You have created such a wonderful group of artists, and display our work in beautiful ways.  I am extremely grateful for your friendship and aliveness in out shared vision.”  Gayle H. Seely

For more about the gallery, please go to http://www.fairweatherhouseandgallery.com.

“Sunset at the Sea” mixed media by Diane Copenhaver.

 

Paintings by Diane Copenhaver, whose new collection of original art were created for COLOR AND SHAPE, an exhibition, can be viewed through September at Fairweather House and Gallery. For more information go to http://www.fairweatherhouseandgallery.com/

 

 

Series of mixed media paintings by Diane Copenhaver

 

 

 

“Color and Shape are key elements in the language of abstract art.  Both of these elements of design offer infinite possibilities to communicate visually. Both have the power to create an energy that is almost palpable.   Whether cool and calming, warm and energizing, light or dark, color can transport us to another place or time.   Shape can create an illusion, a feeling, or sense of something.  In my current art work, I have used both of these elements of design incorporating colors inspired by the beautiful Oregon coast and explored the continuum of abstraction through shape,” Diane Copenhaver.

 

 

 

Grace note received from the artist

 

“I have completed painting 3 new abstract pieces ( each canvas is 12×12).  Lots of color.  I am close to completing another large piece, 24×30.” –Diane

 

 

 

 

 

 

 

 

EMERGING artist Hall of Fame display featuring Diane Copenhaver, Ashley Howarth, Rebecca Gore, Whelpsey Whelp, Michael Wing & Gayle H. Seely.

 

 

 

2018 artist Veronica Russell listens as her name added to Fairweather House and Gallery Emerging Artist Hall of Fame.

EMERGING, an exhibition, through August 30

Fairweather House and Gallery

612 Broadway

Seaside

 

 

Q: What are the Hall of Fame emerging artists doing now, you ask?

 Kristin Qian is a Princeton graduate.

Britney Drumheller works as an artist in NYC.

Nick Brakel, after recovering from a traumatic brain injury,  has learned to paint again.

Robert McWhirter was juried into an exhibition curated by the director of the Portland Art Museum.

Michael Wing is doing commissioned photographs of collector cars, most recently a Lamborghini.

Michele Bettger moved to Hawaii and shows art there.

Rebecca Gore  had art selected for a permanent display in a winery.

Gayle H. Seely  has patrons who collect her seed pearl mosaics.

Linda Trexler has most of her art in a private collection.

Diane Copenhaver has had a solo show in Bellevue.

Ashley Howarth graduated from college and works in an insurance office where her art is displayed.

Whelpsy Whelp had the majority of her art selected for a private residence.

Veronica Russell continues to work in lino-cut print art, currently working on  abstract portraits.

Photos by Linda Fenton-Mendenhall.

Emerging artists are selected through an audition process and receive gallery mentoring. Since 2006 Fairweather House and Gallery has championed  emerging visionaries who take risks, embrace challenges and are rigorous in their approach to creation and production.

For more information about doing good works, please visit www.fairweatherhouseandgallery.com

 

 

 

Kristin Qian,  2006 Emerging Artist Hall of Fame

Kristin Qian (class of 2018) plans to concentrate in science, having completed Princeton’s rigorous interdisciplinary Integrated Science Curriculum. She pursued certificates in French Language & Culture and Musical Performance.

Kristin has traveled to Europe, South America, North America, and Asia from time to time for study, international music competitions, and solo recitals. Kristin has obtained high proficiency in a number of foreign languages: German, Japanese, and Spanish, including English, French, and Chinese as her native languages. Kristin joins the EU program not only interested in Europe’s economic and political background but also in its cultural diversity, natural sciences, and art. Kristin herself is also a visual artist and has held a number of solo and group exhibitions nationally and internationally.

Kristin was an active member of the Princeton University Art Museum Student Advisory Board, staff news writer for The Daily Princetonian, involved in the science journal Innovation, and performs with the Princeton University Orchestra and Princeton Pianists Ensemble. Kristin Qian enters Harvard in the fall of 2018.

August 4, 2018 It seems we are not be able to make it to your Emerging reception due to traffic. Sending you art for Shape and Colors. Best to Fairweather! Zifen, Li and Kristin Qian

 

 


Zifen Qian, self portrait

Zifen Qian, a modern romanticism artist who combines eastern and western cultures in his works. He graduated from Shanghai University and Portland State University with MFA.

He has taught art in both Chinese colleges and US as a professor. His paintings have been selected into the Shanghai Fine Arts Exhibition and Across East China National Oil Painting Exhibition.  He had numerous solo and group exhibitions in New York, Chicago, Portland, Paris, London and other cities in the world.

 

SAVE THE DATE!!!

SAVE THE TIME!!!

September 1, 2018

5-7pm

Fairweather House and Gallery

612 Broadway

Seaside

Opening reception for Color and Shape, an exhibition, featuring new contemporary art from regional artists Bill Baily, Diane Copenhaver, Tanya Gardner, Renée Hafeman, Mike Mason, Emily Miller, Zifen Qian and Jorjett Strumme, as well as  introducing new artists Donna Sanson and Candy Swartz. The show covers every aspect of abstract art, textures, materials and finishes, highlighting the quintessentially colorful fall season.

“Color and Shape are key elements in the language of abstract art.  Both of these elements of design offer infinite possibilities to communicate visually. Both have the power to create an energy that is almost palpable.   Whether cool and calming, warm and energizing, light or dark, color can transport us to another place or time.   Shape can create an illusion, a feeling, or sense of something.  In my current art work, I have used both of these elements of design incorporating colors inspired by the beautiful Oregon coast and explored the continuum of abstraction through shape,” Diane Copenhaver.

Fall habitat lecture by naturalist and wildlife photographer Neal Maine at 6: pm.  Live music by Shirley 88.  Light bites and beverages.

For more info, please visit www.fairweatherhouseandgallery.com

 

 

P.S.S.T!!! You have just one week left to see EMERGING art work before our next opening!

“Sea Star” by Paul Brent. Original oil on linen.

Table top display features one-of-a-kind accessories: mouth blown glass, driftwood garland, vintage glass and handmade glass spheres.

 

Table displays feature the art  and artists that, truly, offer endless inspirations for idyllic times at the beach.

More than 200 artists from across the Pacific Northwest are featured in the Faiweather House and Gallery, a business that has been an anchor for Seaside’s growing arts scene for more than 12 years. A variety of mediums include original paintings, sculptures, ceramics and jewelry.

New pieces and artists are added each month, making the Fairweather House and Gallery a must-visit destination in Seaside, Oregon for art connoisseurs.

 

Art by Jan Shield,  glass by Sandy and Bob Lercari,  coral platter by Rinee Merritt, handmade box by Christine Trexel and origami garland by Peggy Evans.
Fairweather House and Gallery is a place to see finished creations of bowls, platters and sculpture, as well as contemporary paintings.

Jewelry by Cher Flick, Mary Hurst and Alan Stockam.  Myrtle wood by Fred and Janice Lukens.  Ocean scape painting by Ron Nicolaides. Gull portrait by Leah Brown.  Nantucket basket by Carol Bolster.  Sea anemone study by Jon Anni. Sail boat water colors by Paul Brent.

 

With appreciation to Linda Fenton-Mendenhall,  photographer.

 

To learn more about the gallery, please go to www.fairweatherhouseandgallery.com

TO PARE:  The theme for May 2018 for the Fairweather Gallery

 

“When I first reviewed the Fairweather Gallery’s list of themes for 2018, I was intrigued.  So many interesting choices.  As a lover of words and all that they imply, I was attracted to the theme “pare”, “pear” or “pair.  How unusual!  What to choose?  I selected “pare.”

“Pare” usually means “to cut back”, to “slice away”, to “remove”, and even “to simplify.”  When I thought of the “to simplify”, I was hooked.  Little did I know that I nearly shot myself in the foot!

As an artist, “to simplify” means to remove all that is not absolutely necessary to say what I want to say.  The challenge is how few lines, how few colors, how few marks on my paper convey my meaning.  I thought of the cave paintings from 30,000- 40,000 years ago in France and Spain.  How simple and how elegant.

 

 https://www.smithsonianmag.com/…/journey-oldest-cave-paintings-world

Later, Picasso who was also intrigued by simplifying, drew a series of bulls.  The merest line conveyed the strength, the majesty of this noble animal.

 

www.dailyartmagazine.com/pablo-picassos-bulls-road-simplicity

 

So, “to pare” is good for one’s art.  No more worrying about what is pretty, what will sell, just get to the point!  If one line can convey your message, use it.  Do not be too wordy or explain too much! 

 

 

Too much thinking about “to pare”; going back to the homonyms?  Pear, pair, pare, or au pair?  That opens up a world. 

 

There is a painting here by Marga that is an eye-stopper and it is about “pears”.  What a hoot!

“Pears Illustrated, Swimsuit edition” by Marga Stanley

 And the many others which the artists translated “to pare”, “to pair”, or quite simply “pears”.

 

 

I must admit that I gave into to all in my artwork.  This was a challenging theme that made me think.  I will move toward more line work in my efforts to come to the point, and I shall work “to pare”. 

 

 

Jo Pomeroy-Crockett and her art.

And, as I always discover when stretching, thinking is hard work.”  —Jo Pomeroy-Crockett, PhD., writer, educator and artist.

 

For more info about the artist, please visit http://www.fairweatherhouseandgallery.com/ …artists/ …Jo Pomeroy-Crockett.

 

 

Fairweather House and Gallery

612 Broadway

Seaside, Oregon

Through May 31

Perfect Pear, Pair,  Pare Exhibition

Regional artists were selected due to their art related to scale and perspective, and the way things correlate and interact.

Featuring artists Lisa Wiser, Patti Isaacs, Jo Pomeroy-Crockett, Blue Bond, Marga Stanley, Bill Baily, and Lynda Campbell.

 

 

 

Q: Why do artists often study painting pears, you ask?

A: Indeed, every artist has spent hours staring at pears, later to paint pears to learn the study of light, shading and perspective.

 

Cézanne once proclaimed, “With a pear I want to astonish Paris,” and he succeeded, even in his most deceptively simple still life paintings, to dazzle and delight.

L.1988.62.32

Turning to the pears grown in the vicinity of the family’s estate, Cézanne dispensed with traditional one-point perspective and examined the fruit, plates, and table from various viewpoints—straight on, above, and sideways.

 

Display featuring pear art by Bill Baily, abstract paintings by Kimberly Reed and abstract art by Diane Copenhaver.

The exhibitions(s) “To Pare Perfect”, aka “Perfect Pear”,  and, too, aka “Perfect Pair” through May 31 at Fairweather House and Gallery.

 

Just in! Little gem of wisdom. Original calligraphy by Diane Copenhaver.

 

But, wait!  See here!  More little gems of wisdom by Diane Copenhaver.

 

“Observing Botany” table scape by D. Fairweather, gallerist and  allied member A. S. I. D.,  featuring one of Diane Copenhaver’s little gems of wisdom.

 

 

 

“Observing Botany”  calligraphy by Penelope Culbertson.

 

Fairweather House & Gallery offers an exhibition between the study of botany and fine art.  Throughout April the “Observing Botany” exhibition offers original artwork in watercolor, graphite, colored pencil and pen-and-ink and the exploration of the many styles, forms and approaches unique to botanical illustration. Regional artists were on hand at the opening reception during the Seaside First Saturday Art Walk to answer questions, provide interesting facts or anecdotes and to demonstrate their art techniques.

 

 

 

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And, too, many of the dedicated artists traveled to the reception through high winds and sideways rain!

Indeed, an Art Walk evening is not a dress rehearsal… the gallery “proceeded as the way opened” (Amish saying) to  create an art academy evening for the artists and hostesses.

“US National Weather Service/ Apr. 7 at 10:55am: Strongest winds Saturday have been delayed, but are coming. Winds will increase Saturday reaching their peak by evening. Beaches and headlands likely to see gusts to 70 mph, coastal communities gusts to 60 mph. Exposed ridges along the Coast Range should have gusts to 60 mph. These strong winds did not  produce local power outages, falling trees and branches and power lines.”

 

 

Grace note to the artists:

Clearly, the compilation of the Fairweather exhibit, “Observing Botany”, was the work of a dedicated team of artists. and would have been impossible without your enthusiastic support and beautiful art. 

 

 

Many  enjoyed viewing your art and appreciated the opportunity to learn more about botany from fellow artists.

 

Observing Botany would have been impossible without enthusiastic support of the artists.

 

 

“Thank you, Denise, for all that you do.  Very, very nice photos from your photographer. The reception was better attended than I expected, considering the weather and the Gallery looked stunning!”  –Penelope Culbertson

 

 

 

 

 

 

 

 

 

 

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