Emily Miller



 Abstract watercolors by Donna Sanson, Oregon  myrtlewood cribbage board, segmented vase and nautilus sculptures by Mike Brown.

Crafted by NW hands.

Folded book art by Mary Boitta, en caustic art (aptly titled “Remembering Autumn”) by Peg Wells, origami by Peggy Evans, leather work by Luans Leathers, en caustic crows by Kathryn Delany and hand painted tiles by Sandy Applegate.

Abstracts by Diane Copenhaver and glass art by Bob Heath.

 


Handmade curly willow, mouth blown glass,  hand-made book and box by Christine Trexel.

Coral glass by Rinee Merritt, glass platters by Sandy and Bob Lecari and plein air oil by Lisa Wiser.

 

En caustic  art, ocean debris baskets, sea urchin bowls, moon platter by Emily Miller, mixed media stone art by Peggy Stein, abstract drip by Kimberly Reed and oil paintings by Sharon Kathleen Johnson.

 


Abstract miniatures by Tanya Gardner.

 

Calligraphy by Penelope Culbertson, watercolor by Bill Baily and pottery by Suzy Holland.

 

Abstract oil by Carmela Newstead.

 

 

Abstracts by Zifen Qian, maple bowls by Daniel Harris, watercolor by Paul Brent, landscape by Bill Baily and seascape  by Victoria Brooks.

 

 

For Shape and Color.

Art masks by Jorjett Strumme.

Paintings with pressed flowers on metal by Mike Mason. Anny Sears, model, with pressed foliages by Mike Mason.

 

 

Pastel landscape by Carmela Newstead, vintage jewelry necklace by Reneé Hafeman and en caustic blue abstract by Kimberly Kent.

Sunset oil paintings  by Nicholas Oberling, photograph by Neal Maine, pastels by Lynda Campbell and seascapes by Ron Nicolaides.

 

Mixed media diptych by Gary Pearlman, raw edged walnut bowl by Mike Brown and paper box sculpture by Christine Trexel.

Miniature oils by Barbara Rosbe Felisky.

 

Photos by Linda Fenton-Mendenhall.

“Color and Shape” exhibition through September 30th.

The show covers every aspect of art, textures, materials and finishes, highlighting the quintessentially colorful fall season.

Grace note to the artists…

 

“Shape and Color, Fairweather’s September exhibition, would not be such a success without the beautiful work created by NW hands.  The selected artists provided new work to highlight the annual fall show.  We thank them all for the extraordinary opportunity to tell a seasonal story with their art.  Truly, the artists offered new exceptional work, and by doing so, they encourage those of us in the arts, to do more.”  Fairweather Gallery

Abstract series of three by Jan Rimmerman, seascape oil by Karen E. Lewis and pottery by Suzy Holland.  Shape and Color gallery hostesses Katie, Kemy Kay, Joan, Bonnie and Denise.

 

And, too, a grace note received from a gallery hostess to share.

“Thank you for the beautiful crystal I picked out for a gift.  Most, of all, thanks for bringing the utmost beauty to many, many people.  Most of all, thanks for inviting me to work in your stunning establishment.  It delights my eyes every time I come in.  Your artists are beyond comparison.” Kemy Kay

A grace note received from an artist.

 

“Don’t ask yourself what the world needs.  Ask yourself  what makes you come alive and then do that.  Because what the world needs is people who have come alive.” –Howard Thurman, educator and theologian.
“Thank you for your encouragement and support in showing and growing my art.  You have created such a wonderful group of artists, and display our work in beautiful ways.  I am extremely grateful for your friendship and aliveness in out shared vision.”  Gayle H. Seely

For more about the gallery, please go to http://www.fairweatherhouseandgallery.com.

2018 Pacific Coast ghost baskets by Emily Miller

The baskets begin as ghost nets: fishing rope washed ashore on the beaches of  Oregon.  Cleaned, unraveled, and restitched, the colorful rope becomes a collection of unique baskets accented with local stones and other treasures.

The color and condition of each unique piece of rope serves as an artist’s palette – from freshly cut potwarp lines at local fisheries, to wild and eroded flotsam weathered by months or years at sea.

 

Encaustic beeswax and pigment art series by Emily Miller

 

River to Sea follows the water through brackish estuaries, out to the open ocean, and back again over tidal shallows up to a sandy coastline. River to Sea is the first in a planned series of “progression” pieces, exploring transition environments and natural cycles of change.

 

 

“I have spent my life on the coast, and all my artwork has its roots in my love of the sea. I see the coast as a border between the known and unknown, amid constant cycles of change. My work explores these transition environments as a marker of our place within the larger network of natural systems. I believe that joyful exploration of the unknown creates a positive, active environment that enriches our relationships with ourselves, each other, and our world.”  Emily Miller

 

 

100 Turtles Project at Fairweather Gallery by Emily Miller

Conservation

“The ocean is what I love most in the world. As I started weaving Rope Baskets with reclaimed fishing rope, and sculpting these 100 turtles, I struggled with the associated research that felt overwhelmingly negative. I found a positive voice in SeaLegacy, a conservation group creating a movement towards healthy oceans through visual storytelling. SeaLegacy’s expeditions bring the spotlight to critical regions and share success stories of people working in harmony with the sea. Their stance on storytelling rings especially true to me, as an artist whose work remains centered around beauty and joy despite the depressing statistics.”  Emily Miller

 

 

 

“The ghost basket project and 100 sea turtle project got me thinking about my work with multiples, a fascination that has developed in my sculpture practice. I recalled the story of Sadako and the 1000 Paper Cranes, and how she turned to repetition, creation, and beauty in the face of despair. Repetition as meditation is a common practice around the world, engaging your body and freeing your mind to step back and take a different look at things. It is a way of making peace with things we cannot seem to fix, and centering ourselves in the knowledge of what we are capable of doing, so we have the energy to go out and try again to accomplish what seems out of reach.”   Emily Miller

Copyright © Emily Miller/ Fairweather House and Gallery

 

 

 

“I am a lifelong artist with a passion for materials. My work in different media ranges from watercolor painting to glass and metal sculpture, functional porcelain ware, digital and darkroom photo processes, and interactive installation work. So far I haven’t met a medium I didn’t like. I am bringing 10-15 rope baskets and some abstract encaustic paintings for Shape & Color. See you soon!”  Emily Miller

Shape and Color Fairweather presentation of the art by Emily Miller.

 

Photo collage by Linda Fenton-Mendenhall, photographer.

“Sea Star” by Paul Brent. Original oil on linen.

Table top display features one-of-a-kind accessories: mouth blown glass, driftwood garland, vintage glass and handmade glass spheres.

 

Table displays feature the art  and artists that, truly, offer endless inspirations for idyllic times at the beach.

More than 200 artists from across the Pacific Northwest are featured in the Faiweather House and Gallery, a business that has been an anchor for Seaside’s growing arts scene for more than 12 years. A variety of mediums include original paintings, sculptures, ceramics and jewelry.

New pieces and artists are added each month, making the Fairweather House and Gallery a must-visit destination in Seaside, Oregon for art connoisseurs.

 

Art by Jan Shield,  glass by Sandy and Bob Lercari,  coral platter by Rinee Merritt, handmade box by Christine Trexel and origami garland by Peggy Evans.
Fairweather House and Gallery is a place to see finished creations of bowls, platters and sculpture, as well as contemporary paintings.

Jewelry by Cher Flick, Mary Hurst and Alan Stockam.  Myrtle wood by Fred and Janice Lukens.  Ocean scape painting by Ron Nicolaides. Gull portrait by Leah Brown.  Nantucket basket by Carol Bolster.  Sea anemone study by Jon Anni. Sail boat water colors by Paul Brent.

 

With appreciation to Linda Fenton-Mendenhall,  photographer.

 

To learn more about the gallery, please go to www.fairweatherhouseandgallery.com

For more info, go to http://www.fairweatherhouseandgallery.com/ …artists/ Paul Brent

 

 


Marga Stanley, artist

 

 

Emily Miller with her 100 Turtles Project

 

 

 

 

 

 

 

 

Victoria Brooks

For more info go to http://www.fairweatherhouseandgallery.com/ …artists/ Victoria Brooks

 

For more images, please go to http://www.facebook.com/  Seaside First Saturday Art Walk

 

Photo collages by Linda Fenton-Mendenhall

Photo by Neal Maine / PacificLight Images
Bald eagles on Clatsop Beach.

Image title:  Eagle Speak

 

After a thirty-year career as an award-winning biology teacher at Seaside High School, Neal Maine became the first executive director of North Coast Land Conservancy, which he co-founded in 1986. Since his retirement from the land trust in 2010, he has pursued his passion for nature photography through PacificLight Images dedicated to raising awareness of coastal ecology and the wildlife with whom we share the region’s estuaries, freshwater wetlands and forests. His photography centers around coastal and Columbia River landscape, ecology and the rich estuary habitat with the surrounding wetlands and forest systems.

PacificLight Images is dedicated to working with coastal communities to protect wildlife habitat and its connectivity. A percentage of all photography sales are donated to North Coast Land Conservancy to help further this goal.

Eagle Sunrise by Neal Maine

 

On June 20th, 1782 the American Bald eagle was chosen as the symbol of the United States of American because of its long life, strength, majestic look and its representation of the freedoms enshrined in out constitution.

 

 

Image title:  Shaped by Wind.  Neal Maine/ PacificLight Images

 

Eagle conservation lecture  notes by naturalist Neal Maine:

Neal Maine graduated from Seaside High, returned as an educator in the Seaside School District.

It was not until 20 years after collage that he viewed an eagle on the North coast for the first time!

In 1961, the United States Fish and Wildlife Service (USFWS) counted  only 471 pairs of Amercian Bald Eagles.

 

 

Neal Maine lectures during a Fairweather Gallery event.

 

 

July 7- July 31

Fairweather House and Gallery

100 Turtles project by Emily Miller

 

“I have spent my life on the coast, and all my artwork has its roots in my love of the sea. I see the coast as a border between the known and the unknown, and a place where our connection to larger natural systems becomes clear. My artwork focuses on the delight of exploring this mysterious and beautiful environment. I found a positive voice in SeaLegacy, a conservation group creating a movement towards healthy oceans through visual storytelling. 25% of July sale proceeds in support of SeaLegacy,”  Emily Miller.

Launching of the 100 Turtles project by artist Emily Miller, who has spent the early summer sculpting tiny ceramic sea turtles: curling and shaping two hundred front flippers and carving details into two hundred eyes.

 

 

 

 I found a positive voice in SeaLegacy, a conservation group creating a movement towards healthy oceans through visual storytelling. 25% of July sale proceeds in support of SeaLegacy,”  Emily Miller.

 

 

For more info go to

 

http://ejmillerfineart.com/news/2018/06/14/100-turtles-project/

 

 

Read more:

The Story of Silent Spring. How a courageous woman took on the chemical industry and raised important questions about humankind’s impact …

http://www.rachelcarson.org/

Perhaps the finest nature writer of the Twentieth Century, Rachel Carson (1907-1964) is remembered more today as the woman who challenged the notion that …

 

To view more Neal Maine images, please visit  www.fairweatherhouseandgallery.com

 Last call.

“Sense of Place”, an exhibition through June 30 featuring regional artists Melissa Jander, Karen Lewis, Emily Miller, Rebecca Gore, Christine Trexel and more.

 

“Seaside Dreams”  by Melissa Jander. Original oil on linen.

 

For “Cascade Melody” by artist Karen E. Lewis. Original oil.

 

“Kites at Cannon Beach” by Emily Miller.  Original watercolor.

 

Christine Trexel handmade paper, hand made journal.

 

In addition, the gallery continues to show new artists Jan Rimerman and Barbara Martin through June 30.

 

“Secrets of the Stream” by Jan Rimerman.  Mixed media.

 

“Everyone connects with their own experiences whether from their childhood, recent memories or perhaps where they would like to be in the future,”  Jan Rimerman.

 

“Across from…” mixed media by Barbara Martin

Barbara Martin has work contemporary in style and that leans toward the abstract and sometimes surreal or visionary.

 

Don’t miss our June exhibition, celebrating original art created specifically for “Sense of Place!”

And, too, see and find  exclusive accessories, selected specifically for “Sense of Place.”

 

For more information, please visit www.fairweatherhouseandgallery.com

 

Take a note!

Fairweather House and Gallery

612 Broadway

Seaside

July 7, 5-7:pm

Opening artist’s reception for “Ocean Folk”, an exhibition featuring regional artists:  oil and watercolor paintings by Paul Brent, oil paintings by Victoria Brooks, abstract art by Barbara Martin, whimsical art by Marga Stanley and acrylic paintings by Jan Shield.

Launching of the 100 Turtles project by artist Emily Miller, who has spent the early summer sculpting tiny ceramic sea turtles: curling and shaping two hundred front flippers and carving details into two hundred eyes. 25% of July sale proceeds in support of conservation.

“I have spent my life on the coast, and all my artwork has its roots in my love of the sea. I see the coast as a border between the known and the unknown, and a place where our connection to larger natural systems becomes clear. My artwork focuses on the delight of exploring this mysterious and beautiful environment. I found a positive voice in SeaLegacy, a conservation group creating a movement towards healthy oceans through visual storytelling. 25% of July sale proceeds in support of SeaLegacy,”  Emily Miller.

Artists will offer talks about their “Ocean Folk” artwork.

Eagle conservation lecture by naturalist Neal Maine at 6:pm.

Painting Seaside LIVE™ demonstrations by Paul Brent, Victoria Brooks and Carolyn Macpherson.

Light bites.

LIVE music by Shirley 88.

Full Moon Bowl by Emily Miller

 

 

“I have a brand new full moon bowl (first one out of the kiln!) Creating a different perspective on my passion for exploring unknown environments in art. Although most of my artwork has focused on the ocean, I find the beauty, mystery, and science of outer space as compelling as the deep-sea.”  —Emily Miller, artist

 

Q: When is the full moon in June, you ask?

A: The full moon will be on June 27 and June 28. To the casual observer, however, the moon will appear full the day before and after its peak brightness. https://www.moongiant.com/moonphases/June/2018

 

 

Concept drawings by Emily Miller.

“I love the fanciful scientific names for the lunar “seas” (which are actually flat regions of dark basalt where lava oozed to the surface, pulled by Earth’s gravity up towards the near side of the moon). The Sea of Nectar and the Sea of Clouds are two of my favorites. I also love that the Seas of Tranquility and Crises are right next to each other.”  Emily Miller

 

 

“I am captivated by the beautiful contrast between light and darkness in our natural world, and the necessity of both for life to thrive. .”  Emily Miller

 

 

Deep blue spiny sea urchin bowl

 

 

White moonlight spiny sea urchin bowl

 Hand made and artist signed porcelain bowls by Emily Miller

 

 

Sea anemone porcelain vases by Emily Miller.

Heavily textured raw porcelain exteriors are  reminiscent of sunlight patterns in a shallow lagoon.

Hand made and signed by the artist.

Watertight.

 

Read more about Emily Miller at https://fairweatherhouseandgallery.wordpress.com/tag/fairweather-house…gallery/…/1…

 

Save the date and time

Opening artist reception for the exhibition  “Ocean Folk”

July 7, 5-7:pm

Emily Miller launches her 100 Turtles project at the Fairweather Gallery

 

“Here is the post I just wrote about my 100 Turtles project.” Emily Miller

  http://ejmillerfineart.com/news/2018/06/14/100-turtles-project/

 

 

End note: Two Fairweather Gallery artists featuring a North Oregon coast night scene with a full moon over the Pacific Ocean, which is the largest ocean in the world.   At full moon, the Moon and Sun are in a straight line on opposite sides of the Earth. Their gravitational forces combine to create larger waves.

“Night Sea” by Ron Nicolaides.  Original oil on Linen.

 

For more info about the artist, please go to  https://fairweatherhouseandgallery.com/Artist/Ron/Nicolaides.html

 

  “North Coast Sea” by Nicholas Oberling.  Original oil on linen.

For more info about the artist, please go to  https://fairweatherhouseandgallery.wordpress.com/…/welcoming-nicholas-oberling-art.

 

Precious moonstone, a translucent, opalescent, pearly blue gemstone cuff bracelet by Alan Stockam. Signed and numbered by the silversmith.

 

 

 

For more about the gallery, please go to www.fairweatherhouseandgallery.com

 

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