Mid-Century Geometric Modernist Runway Design. Purple Hand Hand-Made Stained Glass Squares. Oval and Circular Non-Tarnish Chain. Sterling Silver Ornate Hook and Eye Closure. One-on-a-kind.

Vintage Design by Reneé No. 267. Available exclusively at Fairweather’s.

 

Mid-Century Modern. Sterling Silver Red Agate Cabochon. Hallmark “925”. Over and Circular Non-Tarnish Chain. Sterling Silver Ornate Hook and Eye Closure. One-of-a-kind.

Vintage Design by Reneé. No. 266. Available exclusively at Fairweather’s.

 

Vintage French Silver Filigree Perfume Bottle. Hallmark “France.” Vintage Czechoslovakian Crystal. Ornate Sterling Silver Hook and Eye Closure. Vintage-Inspired Chain.

Vintage Design by Reneé. No 273. Available exclusively at Fairweather’s.

 

 

Reneé Hafeman, vintage fine jewelry designer.

 

Q: How would you describe a vintage fine jewelry designer, you ask?

A:  A vintage fine jewelry designer incorporates silver or gold-filled metal and use other elements such as gemstones or hand-crafted jewelry components. The styles of jewelry are one-of-a-kind or small production work that is found in a gallery or a specialty boutique. Fine jewelry is made with valuable metal such as gold and platinum and is set with natural, precious gemstones. Cultured pearls are considered a gemstone.

 

Vintage jewelry is usually identified with a particular era including Art Nouveau, Art Deco, Retro, and Mid-Century Modern. The beauty of vintage jewelry is that unlike contemporary styles, it is not available in vast multiples or quantities. It possesses distinctive qualities of workmanship, individuality and rarity that are appreciated by collectors and stylish clients alike.

Waves by Linda Fenton-Mendenhall.

“I feel very new to the world of photography, starting just five years ago. It’s been an awesome experience as photographer for the Seaside First Saturday Art Walk, along with my love of capturing our beautiful, North Oregon Coast landscapes.”  –Linda Fenton-Mendenhall.

 

Yes, indeedie, Linda Fenton-Mendenhall is the official Seaside First Saturday Art Walk photographer!

Please visit http://www.facebook.com/Seaside First Saturday Art Walk for her beautiful moments shared about the events.

Yes, sir-re-bob, Linda is seen, oftentimes, running between the galleries, businesses and boutiques, during an art event, in all sorts of weather!

 Linda is a featured artist for the opening reception of WAVES at Fairweather House and Gallery on July 1st.

PSST: We won’t  ever tell what Linda wears as a head-gear!  Gad hopping about for the arts.

 

 

“I’m drawn to the vibrant colors of our sunsets and forests to the contrasts of coastal storms.”

“The ever-changing weather and lighting are a constant inspiration.”

 

Linda Fenton-Mendenhall

“As a lifelong resident of Clatsop County, I still discover new views and perspectives that I love to share through my images.”

“I’m driven to seek out those moments that may be fleeting, so that they can be enjoyed by others.”

 

The biggest reward is hearing how one of my images sparked a memory or gave the viewer a true sense of “being there”.

 

 

 

About the Seaside First Saturday Art Walk:

Residents and visitors alike enjoy an evening of community and culture as various art venues within walking distance of each other host art exhibits and refreshments, between 5-7 p.m. with the Seaside First Saturday Art Walk. The art walk, celebrating 13 years in 2017, is in the historic Gilbert District. The Gilbert District, established in 1914, celebrated 100 years of rich history and timeless tradition in 2014. Awarded the 2004 Oregon Main Street Downtown Gateway Award, the area is now home to shops, restaurants, galleries and boutiques. Dedicated parking is located one block West off the Pacific Coast Highway 101, on the corner of Holladay and Broadway.

Held the first Sat. of every month inside shops, dining establishments and galleries in and around the historic Gilbert District of Seaside Oregon.
The following 2017 dates:
Jul 1st
Aug 5th
Sep 2nd
Oct 7th
Nov 4th
Dec 2nd

Karen E. Lewis
“The picture of me painting is a little like Lemony Snicket, do you not agree?

Hmmm… who is Lemony Snicket, you ask? Lemony Snicket is the pen name of American novelist Daniel Handler, an author of several children’s books, also serving as the narrator of A Series of Unfortunate Events (his best-known work) and a character within it and All the Wrong Questions.

Painting the Many Moods of Water 

“If oil is my medium, then water is my element.  My attachment to water began when I was a kid, at a lake cabin in the Poconos, where I swam among the water lilies and Sunnies.  I graduated from the rowboat to a canoe and went rock hopping down the Monongahela.  Whitewater kayaking escalated to slalom racing in the Northwest, then nationally, then at pre-world championships in Bala, Wales.  With Northwest Outward Bound, I guided rafters down the Deschutes River.

 

 Cloud Cycle, 12 x 24, by Karen E. Lewis

When you spend that much time on rivers, you learn to read the water, looking at swirls for clues to what moves beneath. Which way is the river flowing? Which little ripples signify underwater rocks, and which are a disturbance of wind? Contemplating the sky, I notice that it has its own currents, and a radiance that comes from heat, atmosphere, and the intermixture of air masses.

Violet Sky and Waves, 36 x 36, by Karen E. Lewis

Water became a natural subject for me to paint. In addition, hey, I just like being there. For many contented hours, I paint from some special spot with sights, sounds and smells of the outdoors around me. River, lake, ocean, water of any kind is always my favorite. In the studio, these plein-air sketches expand into larger works, creating retreats that transport me to that special place.

Sand Makers, 9 x 12, by Karen E. Lewis

From intimate experience, I use oil paints to describe the natural world as color in motion: skies, waters, and even growing things in their relative stillness. Sweeping brushstrokes express the fluidity of air and water in richly colored shapes. The solidity of rock and earth give grounding to this motion, carved with form-defining marks. Connecting earth and sky are the reaching growths of grasses and trees. I have been out painting the many moods of water. In paintings, I share my journeys with you.

 

RECENT KUDOS
2017 Beaver Tales Art Sale and Exhibition
Honorable Mention, Pacific Northwest Plein Air Competition
2010 Poster Artist, Sunriver Music Festival
Featured Artist, Sunriver Arts Faire
Paint the Parks national competition, Second 100

 

Low Light and Waves, 12 x 16, by Karen E. Lewis

Save the date and time.

Seaside First Saturday Art Walk on July 1st, 5-7:pm.

Fairweather House and Gallery welcomes Karen E. Lewis.

Opening reception for WAVES, an exhibition, through July.

For more info please visit http://www.facebook.com/ Seaside First Saturday Art Walk

 

Fairweather House and Gallery had the wonderful opportunity to be a venue for the 2017 Beaver Tales Art Exhibition and Sale in Seaside.  And, now, Karen E. Lewis is the first Beaver Tales artist to show new art in the gallery. Her water work just perfect for the July WAVES exhibition. Now on our 11th year, Fairweather House and Gallery exhibits original work by a select group of NW artists. Welcome, Karen!

 

For more about the traveling Beaver Tales Art Exhibition and Sale, please visit http://www.the gilbert district wordpress.com/ …Beaver Tales…

 

 

Q: How do you find the artists to exhibit in the gallery, you ask?
A: We are very, very fortunate to have peeps that gather like souls to our house.

Finding Karen E. Lewis, the backstory.
When The Beaver Tales Art Sale and Exhibition opened in Seaside, Sara Vickerman, curator for the Beaver Tales venues, wrote about the work Fairweather’s did to support the traveling exhibit.

“Denise Fairweather did an incredible job of securing the pop-up space, furniture and accessories (even beaver sticks) for the display, which resulted in a lovely presentation. Her careful attention to detail and perfectionism are overwhelming. Even before it officially opened, visitors poured in to view the art. The exhibit is divided between the Fairweather Gallery at 612 Broadway and adjacent pop-up space Beaver Tales at 608 Broadway. Seaside First Saturday Art Walk was a great success, attracting quite a crowd of beaver art enthusiasts.” Sara Vickerman

And when The Beaver Tales Exhibition space in Seaside closed at the end of May, Sara Vickerman curator, wrote: “wrapping up the most successful showing to date. We sold 25 pieces of beaver art. The art was distributed between the Fairweather Gallery and adjacent pop-up space. The success of the show is likely attributable to the support of the three conservation organizational sponsors, consistent and effective promotion by Denise Fairweather, extensive local media coverage, and of course, outstanding contributions by the artists.”

 

Note the time! Fred Luken’s myrtle wood clock…arrived just in time for the June 3rd, 5:pm opening reception of Iconic at Fairweather’s.

About Fred Lukens:

I was born in 1942 during the height of World War Two and my parents raised myself and my two brothers in Portland. We had a very happy childhood with many family members close at hand.

When I was 6 years old we moved out to east county and lived on an acre of property raising a lot of our own food both vegetables and meat.
I attended school at Gilbert Grade School and David Douglas High School. When I turned 16, I joined the U.S Naval Reserves and upon graduation from high school, I immediately went into active service which happened during the Berlin Wall crisis, this placed me active duty prior to my 18th birthday. I spent 2 years of active service both in the Asian theater and then stateside based out of San Francisco, Ca. At 21 years old I moved back to Oregon and worked in the retail market for a number of years and then into product management for a couple of manufactures in the local area.

In 1972 I had another career change by going into sales as a manufactures agent covering Oregon, Washington & Alaska.

In 1985 along with a business partner we created a business that started at zero and by the time I retired in 2005 sales had reached unexpected results. We specialized with any product that involved water, this included water handling, purification, and irrigation. I am proud to say that we were recognized as one of the “go to” authorities in our field. I had the great pleasure to work with some very gracious and wonderful people in my business career of whom I still communicate with.

In 2006 my wife and I decided to sell our home and purchase a travel trailer and set out to see the greater Pacific North West. We traveled thru Oregon, Washington Idaho and parts of Canada before settling back down in Oregon and purchased an acre of land in Sandy, Oregon. I took an old garage that was already on the property and completely refurbished the exterior and had the interior rewired to allow the necessary wood tools that I needed to start working on the projects I am currently able to present for sale and at the same time enjoy producing.

“Much of the raw wood products come from all over the world, South America, Africa, and also our beautiful southern Oregon coast which grows Myrtle wood which many say will soon disappear from the United States.”-– Fred Lukens

 

 

“A finished myrtle wood piece is gorgeous and it is easy to see why people fall in love with them. After all, each provides the new owner a little piece of Oregon created by a local artisan who take tremendous pride in creating unique works in rare wood. “ — Grant McCombie

For more about Grant’s recommendations, please visit  http://traveloregon.com/trip-ideas/grants-getaways/

 

Q:  Where in Oregon is myrtle wood is found, you ask?

A: Oregon has a “banana belt,” a warm landscape along the southern coast, but you will not find pineapple, mango, or papaya growing there. Instead, you will find plenty of cedar, fir and even giant redwoods – plus, one particular hardwood variety that grows from south of Reedsport through Northern California and east from the Coast Range Mountains to the I-5 corridor in the Alfred A. Loeb State Park.  

Q: Where is the Alfred A. Loeb State Park, you ask?

A: The park is located near Brookings, Oregon.  Your first impression of Loeb may well be the scent of the myrtle wood forest … a crisp, bay leaf aroma. The park is nestled in a grove of lovely myrtle wood trees through Alfred  A. Loeb State Park. It is the largest public-owned old growth myrtle stand in the state! The park land was acquired by gift from the State Board of Forestry.  It was a tract purchased by Save the Myrtle Woods, Inc. from Alfred A. Loeb of Portland for protecting the outstanding native myrtle trees and other vegetation along the Chetco River.

For more info please visit http://www.stateparks.com/alfred_a_loeb_state_park_in_oregon.html

 

Fun Fact: Myrtle wood, a rare hard wood,  is a distinctly Oregon wood, found nowhere else in the United States; indeed some  may say,  found nowhere else other than in the Holy Land.

 

 

 

 

 

 

 

 

 

 

 

 

Kimberly Kent artist 

 

Kimberly has worked in the art community for over 30 years as an artist, teacher, curator, gallery owner and art broker. She holds a degree in painting, drawing and printmaking from Portland State University.

 


Her oil and encaustic paintings germinate from plein air studies that bear the torch for larger paintings. Her work ranges in style from expressive landscape to abstract, working with a vibrant palette and a close look at light, reflection and color.

 


As an art broker Kimberly curates and procures art for hospitals, clinics and multi family housing projects. Her business focuses on bringing local art to high mission clients.

 

 

Q:  What is encaustic art, you ask?

A: Encaustic is a Greek word meaning “to heat or burn in” (enkaustikos). Heat is used throughout the process, from melting the beeswax and varnish to fusing the layers of wax. Encaustic consists of natural bees wax and crystallized tree sap. The medium is melted and applied with a tool or brush.  Each layer is then reheated to fuse it to the previous layer with colored pigments added.

 

Fun fact: encaustic painting is an ancient technique, dating back to the Greeks, who used wax to caulk ship hulls!

The 20th century has seen a rebirth of encaustic on a major scale. It is an irony of our modern age, with its emphases on advanced technology, that a painting technique as ancient and involved as encaustic should receive such widespread interest. Earlier attempts to revive encaustic failed to solve the one problem that had made painting in encaustic so laborious – the melting of the wax. The availability of portable electric heating implements and the variety of tools made the use of encaustic more accessible.

 

www.eainm.com/what-is-encaustic/  .. Encaustic Art Institute

 

Timely quote by master calligrapher Penelope Culbertson.

For ICONIC, an art exhibition, through June, 2017.

 Fairweather House and Gallery

612 Broadway, Seaside

Definition of iconic:

1: of, relating to, or having the characteristics of an icon

2: widely recognized and well-established •an iconic brand name

3: widely known and acknowledged especially for distinctive excellence •an iconic image •an iconic vacation

 

Penelope Culbertson offered a scribing LIVE episode during the opening reception of Iconic on June 3rd.

 

 

 

For Iconic, an exhibition, Penelope Culbertson created new water-color works combined with calligraphy.  In addition, in the photo are seascapes  by Lee Munsell.  Throughout the years, water-color artist and master calligrapher Penelope Culbertson  has appeared during events at Fairweather’s to offer art lectures, calligraphy history lessons, and scribing LIVE events.

For more about the artists, please visit http://www.fairweatherhouseangallery.com/ artists/ … Penelope Culbertson. …Lee Munsell

Original work by Penelope Culbertson.

Penelope Culbertson began her art studies at the Portland Art Museum as a child, in the art department at Cleveland High School, at Reed College with calligraphy master Lloyd Reynolds, at Willamette University in Salem, at the San Francisco Art Institute, and the Institute de Bellas Artes in San Miguel, Mexico.

Penelope was the co-founder of the Art Academy of Kona and the West Hawaii Arts Guild where she served on the Executive Board. Penelope worked in the Hawaii State Artist-in-School program and showed as the Artist-in-Residence at the Hyatt Regency. Her work is in the permanent collection at the Royal Waikoloan Hotel.

Since her return to Portland, Penelope has had seventeen solo exhibits of her watercolors. She showed year round at the Hawthorne Arts Gallery and annually at the Buckman Art Show where she was the founding chairman of the Children’s Art Sale. She taught children’s art classes at the Buckman Arts Magnet Elementary and for the Portland Parks Dept. in their after-school program. In 1999 she helped produce a book of children’s watercolors about the Portland Water System. She was co-founder of The Hawthorne Arts Guild and showed in all their monthly group shows.

Penelope teaches weekly classes in calligraphy and watercolors for the disabled. She experiments in watercolors, oil pastels, collage, tapestry weaving and calligraphy. She is a member of the Portland Society of Calligraphy.

 

This slideshow requires JavaScript.

Q: What is calligraphy, you ask?

A: Calligraphy is the art of forming beautiful symbols by hand and arranging them well. It’s a set of skills and techniques for positioning and inscribing words so they show integrity, harmony, some sort of ancestry and rhythm.

Symbol is a mark which has a specific agreed-upon meaning in a language, like a letter of the alphabet, a numeral or a word. Integrity of a letter means admirable proportions and form. Harmony describes a pleasing relationship between different visual elements in a piece of calligraphy: parts of a letter, letters, words, the whole text and surrounding space. Ancestry refers to the heritage of letter-shapes, materials and techniques which calligraphers use. Rhythm means the calligrapher’s deliberate repetition and variation of marks and spaces to create feelings of pattern and emphasis.

But wait, there’s more about calligraphy…

The Oxford English Dictionary defines calligraphy as:

1. Beautiful handwriting; elegant penmanship. (Early seventeenth century.)
2. Style of handwriting, penmanship generally. (Mid-seventeenth century.)
3. In painting etc.: beauty of line; (elegant) brushwork. (Early twentieth century.)

(The word comes from kallos, Greek, meaning ‘beauty’ and -graphy, ‘a style of method or writing, drawing, etc’ which in turn comes from graphe, Greek, meaning ‘drawing, writing’.)

… calligraphy is a script that exhibits exceptional and often self-conscious artistry and aesthetic quality in design and execution. (M. P. Brown, Understanding Illuminated Manuscripts: A Guide to Technical Terms (London: The British Library, 1994)

Calligraphy is a skill. This skill involves touch, pressure, hand movement, unity, and that elusive quality we term “beauty.” (V. Studley, Calligraphy (NY: Dover, 1991)

http://www.calligraphy-skills.com/what-is-calligraphy.html

Agnes Field II

Here is the work on paper and other pieces for the exhibit opening May 6. I have one slightly larger on panel…similar image and color. –Agnes Field

Artist Statement:

“This work is assembled from my surrounding using ephemeral and commonly accessible materials, such as styrofoam, plastic, cardboard, wood and fabric. Tied to the contemporary legacy of Arte Povera, the work attempts to create intrinsic objects that minimize the boundary between everyday experience and the commercialization of formal practice.” –AgF

For more about the artist please go to http://www.fairweatherhouseandgallery.com/ …artists/ …Agnes Field

Q: What is the art movement called, Arte Povera, you ask?
A: Arte Povera means literally ‘poor art’ but the word poor here refers to the movement’s signature exploration of a wide range of materials beyond the traditional ones of oil paint on canvas, bronze, or carved marble. Materials used by the artists included soil, rags and twigs. In using such throwaway materials they aimed to challenge and disrupt the values of the commercialised contemporary gallery system.

For more info about Arte Povera go to:

http://www.visual-arts-cork.com/history-of-art/arte-povera.htm
https://news.artnet.com/market/an-introduction-to-arte-povera-

Fairweather House and Gallery
Seaside First Saturday Art Walk
May 6th, 5-7: pm

Opening reception for HELLO…BEAVER TALES!

New original work by Fairweather resident artists Paul Brent, Mike Brown, Susan Curington, Agnes Field, Mike Brown, Jo Pomeroy Crockett, PhD., and Neal Maine, as well as selected NW artists.

Beaver, our beloved state animal, is woefully misunderstood and blamed for dam building, flooding and munching on plants. In fact, Oregon beaver creates wetlands, habitat for salmon and create pools that keep water clean and moderate fluctuations in water flow.

They are nature’s hydrologists. There is a slow but growing appreciation and recognition of the positive benefits that beaver play in Oregon. It is time for more Oregonians to know about and celebrate our state mammal. Art exhibits are a great way to raise the profile of beaver, wetlands and Oregon artists.
The goal of the exhibition is to recognize the aesthetic and ecological significance our state animal plays in the creation and maintenance of wetland habitats.

Speaker guest speaker at Fairweather’s BEAVER TALES will be Katie Voelke, executive director of the North Coast Land Conservancy.

NCLC is a nonprofit based in Seaside, working toward a Oregon Coast where healthy communities of people, plants and wildlife all thrive.

Please go to http://www.NCLC.org for more information about the land trust.

Katie Voelke grew up in Sacramento and earned a bachelor’s degree in biology at the University of California, Santa Cruz. She worked as a field biologist for the U.S. Forest Service and Bureau of Land Management and the Oregon Department of Fish and Wildlife before joining NCLC as its first stewardship director in 2005; three years later, she became its second executive director.

She and her husband, Scott Kirby, are the parents of three boys. They live in Nehalem.

Seaside/ Gearhart nature photographer Neal Maine, co-founder of NCLC, North Coast Land Conservancy, will be available to meet and greet visiting artists, guests and art patrons.

Please go to http://www.fairweatherhouseandgallery.com/ …artists/… Neal Maine to view a catalog of images available. Proceeds in support of NCLC.

Seaside First Saturday Art Walk hostesses will assist with photo ops, lite bites, and beverages.

Q: What is an  Art Walk, you ask?
A: Residents and visitors alike enjoy an evening of community and culture as various art venues within walking distance of each other host art exhibits, between 5-7 p.m. with the Seaside First Saturday Art Walk. The Art Walk, celebrating 13 years in 2017, is in the historic Gilbert Block Building. It is free and open to the public. Motto: “Those that live for the arts, support the arts.”

FUN FACT:
The Gilbert District, established in 1914, celebrated 100 years of rich history and timeless tradition in 2014. The historic district was awarded the 2004 Oregon Main Street Downtown Gateway Award.

The area is now home to shops, restaurants, galleries and boutiques. Dedicated parking for the district is located one block West off the Pacific Coast Highway 101, on the corner of Holladay and Broadway. Next Art Walk is May 6th, 2017.

For more about the Art Walk, please go to http://www.facebook.com/SeasideFirstSaturdayArtWalk.