“Snowbound”

Great Blue Heron by Neal Maine/PacificLight Images.

“After many years of trying to capture a heron in the snow, it finally happened along the Neawanna River in Seaside.” Neal Maine

 

For more images from Neal Maine, please go to http://www.fairweatherhouseandgallery.com /  …artists tab/  …Neal Maine and Michael Wing

 

Question:

“Would it be possible to share the link that has Katie’s thank you as an end of year story on the Fairweather blog?”

Answer:

“Of course! We would love that. We’re so glad you were touched by the letter and appreciate you wanting to share it with others.”

Lorraine Ortiz
Development Director

 

December 2018

Dear Friend of North Coast Land Conservancy,

When I look back on this wonderful year at North Coast Land Conservancy, there is one day that stands out as nothing less than magical. As someone who has joined an On the Land outing or pulled weeds with us, who regularly donates to us or who simply follows us through our newsletters or e-news, you know that among our many projects, the big one we’re working on is conservation of what we call the Rainforest Reserve—3,500 acres of forestland adjacent to Oswald West State Park. I’ve made more than two dozen trips up there this year alone, with old and new friends. But this one day was unique.

 

We heard that Oregon’s poet laureate, Kim Stafford, was visiting the coast to do a reading, and we invited him to visit the Rainforest Reserve with us. The morning we set out, the coast was socked in with dense fog—classic pea-soup conditions. Yet barely a couple hundred feet up into the forest, the clouds gave way to blue skies and sunshine. The higher we climbed, the warmer the day became. As we climbed the ridge, the summit of Onion Peak gradually came into view: Onion Peak, the highest point in the proposed Rainforest Reserve.

High on the ridge, at the headwaters of streams that plunge down steep chasms to meet the ocean, at the tree line where meadows flourish on rocky balds, I felt like I was perched on an island of wilderness, a secret floating mountain in the sky. We couldn’t see the towns or highway that we’d left behind just minutes earlier. It was strikingly quiet. Quiet, but not silent. I closed my eyes to better hear the sounds of the rainforest: the buzzing, the singing, the whispering, and the whooshing of wings. I felt transported.

 

I often feel that way when I get off the beaten path just a little bit; do you? When I notice that I don’t hear the road anymore. When I realize my breathing has slowed and I can feel my heart beat. When instead of reaching for my phone, I look to the trees, trying to locate with my eyes the bird that my ears can hear so clearly. Happy memories wash over me, and I feel a sense of kinship with all of creation, past and present. It’s at times like these that I tend to get some of my best ideas.

As Kim put it that day, “This place offers not only clarity of water but clarity of thought. Maybe that’s the business we’re really in: conserving places where all species can be their best selves. Your gifts are the only way we can make that happen. In our land conservation work, I often bump up against folks who say, “I’m not an environmentalist,” or say “I like open space, but I’m no tree-hugger.”  I’ll admit that I have been known to actually hug trees now and then, mostly to feel for myself the scale of some of the big trees we still have on the Oregon Coast. But to the extent that tree-hugger means by-any-means-necessary, I realize that’s not me. And that’s not the organization I work for. By working with willing landowners, by keeping in mind the people part of our people-plants-and-wildlife formula for coastal conservation, we keep open the lines of communication with everyone.

 

Because I don’t think I’ve ever met anyone who hasn’t experienced one way or another, a moment of magic in the natural world. Who hasn’t felt transported, or felt a deepening of connection with all of creation by being in a wild place, away from the houses, roads, and towns where we spend most of our lives.

The way Kim Stafford spoke about the land that day was so grounding, and so humble and human. It reminded me that we are all just people, doing the best we can to take care of our place, and for so very many reasons:

We save this land because it brings life, water and breath.

We save this land because we love the critters that live here, the wildflowers, and the forests.

We save this land because, in the end, we know it will save us.

Or as Kim said that day, on the shoulder of Onion Peak, one of the pieces of ground we are working so hard to conserve, “It occurs to me, while standing here, that this project will offer what we will long for more and more: clear water, quiet, and starlight.”

Thank you for sharing your time and your treasure and allowing us to do just that, here on our coast: offering clear water, quiet, and starlight, for all creatures, forever.

If simply being in nature is already such a powerful experience for me, what was it about being in one of my favorite wild places with a poet such as Kim Stafford that made the experience even more profound?

Part of it was the day itself: standing on a peak floating upon fog, in the gold and blue of a fall day that felt stolen from summer. But I think Kim was somehow able to read my heart and put words to what I was feeling better than I could myself. Each of us, every human being, has a need for nature, is part of nature. Each of us feels that connection, deep in our hearts and souls, even if we can’t put that awe and that sense of wonder into words the way he could.

The next day Kim emailed us to thank us for the day we shared. What a gift it is to work with such amazing people—people such as yourself—who care so deeply about our coast and for our coast.

 

Thank you for helping to conserve Oregon’s coastal lands, forever.

All my best,

Katie Voelke

Executive Director

North Coast Land Conservancy

Preserving the Oregon Coast Forever

PO Box 67, Seaside, OR 97138

503.738.9126

https://nclctrust.org/

 

 

Hosted by the Seaside Library Art Committee

“Maybe no other local wildlife creature represents the natural history of the North Coast land ocean interface better than the great blue heron.”  Neal Maine

19 images of the Great Blue Heron, a natural history art show, by Neal Maine at the Seaside Library, on public display combined with a printed image guide  detailing the natural history of the great blue heron.

 

 

“The goal of this photography display is to celebrate this unique bird and bring life to how the features of the great blue heron fir the abundance and freshwater systems of the North Coast.  Natural history photography places high value on the quality of the image but even more important, is the desire, skill and patience to capture and illuminate the beauty of the coast landscape and its unique wildlife.”   Neal Maine

“This is the perfect time to share NCLC’s gratitude for FAIRWEATHER’S support of our conservation work on the coast.  We are delighted to share about the new social media outreach program NCLC has launched for our business partners as a thank you for your support. Four times a year NCLC will be posting a thank you to FAIRWEATHER on our FB page, with a photo.”

Here is the schedule for FAIRWEATHER’S posts:

Last week of February 2019

Last week of May 2019

Last week of September 2019

Last week of November 2019

Thank you for valuing the beauty and magnificence of the Oregon Coast. Thank you from all of us at NCLC to all of you at FAIRWEATHER.

Lorraine Ortiz

Development Director

North Coast Land Conservancy

Preserving the Oregon Coast Forever

 

 

 

 

December 2018

Celtic mahogany harp by master builder Duane Bolster

Q: What is a Celtic harp, you ask?

A:  The Celtic harp is a triangular harp traditional to Ireland and Scotland. It was a wire-strung instrument requiring great skill and long practice to play, and was associated with the Gaelic ruling class. It is said the music heard in heaven is the golden sound of harps. Today the Celtic harp has an aura of mystery because the average person has never seen a harp except at the symphony and has never heard of an Irish harp.

 

“I build ’em, don’t play ’em. Please give it a try.  Play it. Pet it. ” Duane Bolster

 

In 2006 Duane Bolster received the  Hero award from CCA “For Creating a Magnificent Harp for the Music Rx Program” and in 2010 received The John Barry Award from Northwest Kidney Kids Inc. “For Providing Exceptional Care to Children with Kidney Disease”

 

I don’t play, not even a little. A note on my not playing the harp; I have studied a few instruments over the years; accordion, clarinet, piano, and harp to name a few, but mastered none. I frequently have people express surprise when they find out that I build harps, but don’t play the harp. They get a chuckle when I mention with a laugh that I know some people who even though they play the harp, they don’t know how to build one!!”—Duane

 

Fairweather House and Gallery, located at 612 Broadway, in downtown Seaside will host a “Harp Instrument Petting Zoo” throughout December.

This free event is open to the public for adults and children in their first attempts to engage the harp instrument.

Each participant will have the opportunity to play featuring the instrument crafted by Duane Bolster, master harp builder.

 

 

 

 

 

 

 

 

“Power of Flight”  by Neal Maine/ PacificLight Images

Pacific Flyway

Snow Geese

 

 

Snow geese fly along the Pacific Flyway  in narrow corridors, more than 3,000 miles from traditional nesting areas in the Arctic tundra to wintering areas along the coast. They visit traditional stopover habitats in spectacular numbers.

 

Q: What is the Pacific Flyway, you ask?

A: The Pacific Flyway is a major north-south flyway for migratory birds in America, extending from Alaska to Patagonia. Naturalists can often predict to the day when a particular species will show up in their area.

 

https://www.audubon.org/field-guide/bird/snow-goose

 

 

 

Neal Maine habitat lectures every First Saturday at 6:pm. Fairweather House and Gallery.

 

After a thirty-year career as an award-winning biology teacher at Seaside High School, Neal Maine became the first executive director of North Coast Land Conservancy, which he co-founded in 1986. Since his retirement from the land trust in 2010, he has pursued his passion for nature photography through PacificLight Images. His photographs center around coastal and Columbia River landscape, ecology and the rich estuary habitat with the surrounding wetlands and forest systems.

Neal focuses his imagery on exploring wildlife in the context of its habitat. PacificLight Images is dedicated to working with coastal communities to protect wildlife habitat and its connectivity. 100% profits are donated to NCLC, North Coast Land Conservancy, to help further this goal

To read more about the naturalist, please go to artists tab … Neal Maine at https://fairweatherhouseandgallery.com

 

Fun facts about Snow Geese:

SIZE: 27 to 33 in; wingspan, 4.5 ft

Snow Geese stay with the same mate for life.

The oldest Snow Goose on record was 27 and a half.

Snow Geese make epic journeys by air, but they are impressive on foot, too. Within the first three weeks of hatching, goslings may walk up to 50 miles with their parents.

The Snow Goose breeds north of the timberline in Greenland, Canada, Alaska, and the northeastern tip of Siberia. They fly high as far as 5,000 feet about the ground.

The Snow Goose has two color plumage morphs, white (snow) or gray/blue (blue), thus the common description as “snow goose” and “blue goose.”

 

“Kaleidoscope” by botanical artist Mike Mason

Kaleidoscope:
Purple Petunia: enchantment, fantasy, charm, grace and mystery. Desire to be with you because I find you company soothing and peaceful
Calla Lily: magnificent beauty, panache, feminine modesty
Japanese maple leaves: baby hands
Forget-Me-Not: forget me not
Circus Rose: excitement, love, fascination
Pink Martha Washington Geranium: love spell, foolishness, ingenuity, meetings expected and unexpected
Yellow and Purple Pansy: loving thoughts
Iris: message, eloquence, flame, ardor, promise, my compliments
Dianthus: fascination
Double Heleborus: heals sadness, scandal, calumny
Queen Anne’s Lace: haven, protection, I will return

 

” CAROL’S STAR”  by botanical artist Mike Mason.

Carol’s STAR is displayed on a swath of YELLOW and PURPLE Pansies signifying loving thoughts. RED Rose with its message of deep feelings of love, courage, respect and passion, are paired with Violet Violets, and their message of faithfulness, to create each of the four points. Carefully trimmed Purple Clematis outlines the form with sentiments of ingenuity, mental beauty and eternal lastingness. A skirt of PINK Foxglove signifies a wish, and uplifts the PEACH Hibiscus heart,” which is celebrated world-wide for its immortal delicate beauty.

“Electric Sea Holly”  by botanical artist Mike Mason.

Electric referring to being “psychedelically enhanced.” Healing BLUE Sea Holly enhanced by similar form but, opposite color, RED Japanese Maple, are the mystical center of vision of this piece. Resting on a modest bed of SULFUR YELLOW Cosmo. Framed by a Tulip stamen fringe promising: fame, the perfect lover, and happy years. This is bordered with Clematis. Clematis is historically connected with sentiments of mental beauty and artifice. The RECTANGLE is then placed on a boastful bed of PURPLE and WHITE variegated Hydrangea to remember. The SQUARE is edged with an invigorating Orange Marigold border encompassing the entire vision with remembrance, health, and joy.

 

Mike Mason working with flower petals.

 

“A native Oregonian, my medium is truly from the natural world: my paints are dried flowers. Most of the flowers I use for my prints are grown in my garden. They are harvested and carefully preserved to maintain as much of their original color as possible. When dried, many of these delicate flowers are extremely fragile and difficult to work with, having a petal thickness of about .0005 of an inch, about the width of a human hair.

Many of the flowers that I use are commonly recognized garden flowers such as tulips, poppies, roses, vinca, petunias, camellias, carnations and violets. In addition, I use many other wild flowers and even weeds for my compositions. I raise native Oregon plants for sale to retail nurseries specializing in unusual plants; Solomon’s seal, starflower, twisted stalk, licorice ferns, and other Oregon native wildflowers also find their way into my work.

In addition, too, I capture the piece before vital colors fade to offer metal prints made from original flower art to galleries. I am a graduate of the San Francisco Art Institute, with a BFA degree in printmaking.” Mike Mason

 

Q:  What is the language of flowers, you ask?

A:  Floriography or the language of flowers is a means of cryptological communication through the use of botanicals, allowing them to express words that could not be spoken.

 

 

 

Photo collage by Linda Fenton-Mendenhall

 

Grace note received from Anny Sears

 

 

 

“Greetings to you and many happy returns of this fine day! Thank you again for letting us share! I was thrilled you liked my dress  that I choose for Mike’s artist talk. I cannot wait to see what the universe will come up with for the show. Thank you so much for having Mike and me over to share. We thank you for the notes. 
I saw that you wrote that I was a model and was thrilled! You are just a doll and we adore you! Your galley is always warm and wonderful with so many fabulous offerings from so many talents. It is such an honor to be a part of something so special. Warm wishes to you as Summer turns to Autumn. Thank you for making this year so wonderful for us! CHEERS! Anny and Mike

 

Anny Sears

For more info about the gallery, please go to http://www.fairweatherhouseandgallery.com

 

Pacific Force III by Neal Maine/ PacificLight Images

 

Tillamook Rock Lighthouse, Seaside Oregon. Jan. 2018.

Q: Why the large wave, you ask?

A: A high surf advisory was issued for the northern Oregon coast according to the National Weather Service. The coast will see breaking waves on the beaches much higher than normal. Forecasters said ocean swells will be above 60 feet for most of the day January 19, 2018. The high surf advisory has caused officials to keep some North Coast Oregon and South Coast Washington beaches closed.

 

 

 

January 19, 2018

Neal Maine/ PacificLight Images.

Pacific Force I, Pacific Force II and Pacific  Force III

Tillamook Rock Lighthouse.  Seaside Oregon.

Pacific Force I  (wave hgt. 176′)

Pacific Force II (wave hgt. 183′)

Pacific Force III (wave hgt. 211′)

Q: Where in the world is Tillamook Rock Lighthouse, you ask?

 

A: Tillamook Rock Lighthouse stands 133 feet above sea level and sits on a rock a mile off the beach of Seaside and is west of Tillamook Head in Clatsop County, Oregon. Operating from 1881 to 1957, the lighthouse was nicknamed Terrible Tilly for its ferocious storms and the difficulties facing lighthouse keepers stationed there. It was the most expensive lighthouse built in the United States up to that time.  An isolated, storm-battered basaltic island less than an acre in size, Tillamook Rock Lighthouse is 20 miles south of the mouth of the Columbia River. Violently churning seas crash against the steep sides of the Rock and surge high up its sloping eastern face. Tillamook Rock is part of Oregon Islands National Wildlife Refuge, and the lighthouse is listed on the National Register of Historic Places.

 

 

100% profits in support of  NCLC, North Coast Land Conservancy

  For more about the photographer, please go to  artists/ Neal Maine  www.fairweatherhouseandgallery.com 

 

 

https://traveloregon.com › … › Culture & History › Historic Sites & Oregon Trail

 

 Resting atop a sea stack of basalt, more than a mile off the banks of Oregon’s  Seaside North Coast, the notorious Tillamook Rock Lighthouse, (nicknamed “Terrible Tilly”), is the stuff of aged lore. Although long closed to the public, she still stands today, though battered and …

 

Tillamook Rock Lighthouse – The Oregon Encyclopedia
https://oregonencyclopedia.org/articles/tillamook_rock_lighthouse/
Tillamook Rock Lighthouse sits on a rock a mile offshore of Tillamook Head in Clatsop County, Oregon. Operating from 1881 to 1957, the lighthouse was …

 

“Pacific Force IV”  by Neal Maine/ PacificLight Images

 

100% Profits to NCLC, North Coast Land Conservancy

Inspired by the beach and nature, Peg Wells has prepared a gallery exhibit composed of  hot wax encaustic  and cold wax collage. The work is decorative, but with a purpose that is secure in the strength of using natural elements. Her provocative style proves that a quiet approach can have a very powerful effect.  Summer time resident and artist Peg Wells, who exhibits in the winter-season at the Saddle Brooke Resort/ Primary Studio in Arizona, presents new work in an ocean theme for Fairweather’s.  WELCOME BACK TO SEASIDE!

 

 

“Wonder of the Sea” by Peg Wells.  Cold Wax Painting.

“From the Depths” by Peg Wells.  Cold Wax Painting.

 

Q: What is Cold Wax Painting, you ask?

 

A: Cold Wax Painting is not defined by subject matter nor the degree of realism or abstraction, Cold Wax Painting is unified by artists’ shared interest in experimentation, texture and the physicality of paint layers. In its own way, Cold Wax Painting blurs the line between oil painting and encaustic painting.

 

Cold Wax is a mixture of natural beeswax, solvent and a small amount of  resin. The term “cold” in beeswax painting refers to the fact that heat is not required for working with this wax medium – as it dries by solvent evaporation, rather than the cooling of the wax, as in encaustic painting. As the solvent evaporates out of the medium, the soft wax hardens to the density of a beeswax candle.

Cold Wax is creating a variety of textures within a painting. It gives a clean break off the brush or knife, retaining the sharp peaks of impasto. These working properties allow for expressive brush marks and the ability to carve into paint layers with palette knives. Cold Wax also gives oil colors a beautiful translucent quality, similar to the seductive surfaces of encaustic paintings.

 

Q: What is encaustic painting, you ask?

A: Pronunciation: en-caws-tick, is a paint consisting of pigment mixed with beeswax and fixed with heat after its application. –n. The Greek word is enkaustikos –to burn in.

 

Encaustic dates back to the ancient Greeks, as far back as the 5th century BC. Ancient ship builders used beeswax, resin to seal, and waterproof their vessels. Ultimately, they began adding pigment to the wax-giving rise to the decoration of spectacular ships. To paint with encaustic, a combination of beeswax, resin and pigment is combined and then melted to a liquid state. Encaustic paintings have many layers of wax. Depending on the piece, it is not uncommon to have anywhere from 25-50 layers.

 

 

“Surf” Encaustic by Peg Wells

 

It’s not always obvious whether an abstract work of art should be hung vertically or horizontally.  Oftentimes on a contemporary piece, the artist signs that work on the back, which  allows the  gallerist and interested clients to determine how the art could be oriented for display.

 

 

 

Artist grace note

 

“I am grateful that my art found a gallery presence for my seventh summer season with you! I do appreciate your support of my art and me as an artist. I hope that my art will find new homes and that it will bring as much pleasure to people as it has given me create. Thank you.”Peg Wells

 

WELCOME BACK TO SEASIDE!

 

For more information about the gallery, please go to  www.fairweatherhouseandgallery.com

Photo by Neal Maine / PacificLight Images
Bald eagles on Clatsop Beach.

Image title:  Eagle Speak

 

After a thirty-year career as an award-winning biology teacher at Seaside High School, Neal Maine became the first executive director of North Coast Land Conservancy, which he co-founded in 1986. Since his retirement from the land trust in 2010, he has pursued his passion for nature photography through PacificLight Images dedicated to raising awareness of coastal ecology and the wildlife with whom we share the region’s estuaries, freshwater wetlands and forests. His photography centers around coastal and Columbia River landscape, ecology and the rich estuary habitat with the surrounding wetlands and forest systems.

PacificLight Images is dedicated to working with coastal communities to protect wildlife habitat and its connectivity. A percentage of all photography sales are donated to North Coast Land Conservancy to help further this goal.

Eagle Sunrise by Neal Maine

 

On June 20th, 1782 the American Bald eagle was chosen as the symbol of the United States of American because of its long life, strength, majestic look and its representation of the freedoms enshrined in out constitution.

 

 

Image title:  Shaped by Wind.  Neal Maine/ PacificLight Images

 

Eagle conservation lecture  notes by naturalist Neal Maine:

Neal Maine graduated from Seaside High, returned as an educator in the Seaside School District.

It was not until 20 years after collage that he viewed an eagle on the North coast for the first time!

In 1961, the United States Fish and Wildlife Service (USFWS) counted  only 471 pairs of Amercian Bald Eagles.

 

 

Neal Maine lectures during a Fairweather Gallery event.

 

 

July 7- July 31

Fairweather House and Gallery

100 Turtles project by Emily Miller

 

“I have spent my life on the coast, and all my artwork has its roots in my love of the sea. I see the coast as a border between the known and the unknown, and a place where our connection to larger natural systems becomes clear. My artwork focuses on the delight of exploring this mysterious and beautiful environment. I found a positive voice in SeaLegacy, a conservation group creating a movement towards healthy oceans through visual storytelling. 25% of July sale proceeds in support of SeaLegacy,”  Emily Miller.

Launching of the 100 Turtles project by artist Emily Miller, who has spent the early summer sculpting tiny ceramic sea turtles: curling and shaping two hundred front flippers and carving details into two hundred eyes.

 

 

 

 I found a positive voice in SeaLegacy, a conservation group creating a movement towards healthy oceans through visual storytelling. 25% of July sale proceeds in support of SeaLegacy,”  Emily Miller.

 

 

For more info go to

 

http://ejmillerfineart.com/news/2018/06/14/100-turtles-project/

 

 

Read more:

The Story of Silent Spring. How a courageous woman took on the chemical industry and raised important questions about humankind’s impact …

http://www.rachelcarson.org/

Perhaps the finest nature writer of the Twentieth Century, Rachel Carson (1907-1964) is remembered more today as the woman who challenged the notion that …

 

To view more Neal Maine images, please visit  www.fairweatherhouseandgallery.com